Jo-Anne McArthur’s image “Highly Commended” in this year’s Natural History Museum’s Wildlife Photographer of the Year.
In 2017, Jo-Anne’s image Pikin and Appolinaire won the People’s Choice award. This year, as We Animals Media continues to make headlines with groundbreaking investigative work, Jo-Anne’s image “The Wall of Shame” is selected by the Jury as a Highly Commended image in the Wildlife Photojournalism category of the 2019 competition.
“It’s a deceptively simple image – a seemingly joyful grab-shot of handprints that morphs into a grotesque parody of children’s art. Quite simply shocking.”
– Rosamund ‘Roz’ Kidman Cox OBE, Chair of the Jury, Natural History Museum Wildlife Photographer of the Year 2019
We spoke with Jo-Anne about her experience capturing these images at the Rattlesnake Roundup in Sweetwater, Texas.
How did you decide to focus on this event, and how would you describe the experience?
When I first heard about the roundups from Advocates for Snake Preservation founder Melissa Amarello, I knew it was something that I had to document.
Being immersed in photographing the snake roundup in Texas was surreal and unfamiliar. Documenting the celebration of slaughter in such an intimate way was sort of an out-of-body experience for me.
There were a number of us media folk at the festival, and the staff and volunteers were keen to show off the many facets of the roundup, including the removal of snakes from their environment by way of pouring gasoline into their dens. I had to disconnect from how I felt about it in order to do the animals – and the story – justice.
The killing was on display throughout the festival, and there were events like the snake-eating contest and the Miss Rattlesnake beauty pageant. I think that anyone feeling compassion for the snakes would have felt like a bit of an island, as I did. It was a reality check to observe our disconnection with the natural world, and such a violent celebration against it.
It was chilling to observe young people watching the killing and then participating in the skinning. Many were at first put off or apprehensive, but with the enthusiastic coaxing from family, they were learning that this sort of wanton violence is not only acceptable, but a fun and positive thing to do. I saw a young woman pass out while watching the killing. She was of course helped, but also laughed at and patronized.
In addition to documenting the event, what do you hope these images show us?
I’m so grateful to have Wildlife Photographer of the Year showcasing this important story. The reality of how we interact with the natural world isn’t pretty. We are so disconnected from “others”. We need to reconnect.
“The Wall of Shame” joins the breathtaking exhibit of 100 images that opened in London before embarking on a tour for millions of people to see at distinguished art museums around the world.
Watch the We Animals Media short documentary about the 2015 Sweetwater Rattlesnake Roundup.